South Actress Anushka eXclusive Photos
Genelia D’souza On Cover of ‘Seventeen’
Genelia Dsouza was all over the place a few months back, when Jaane Tu Ya Jaane Na, witnessed a smash hit. She paired opposite the brand newteenage sensation Imran Khan in Jaane Tu Ya Jaane Na. The latest edition of Seventeen brings the ever smiling beauty Genelia onthe cover. In this edition of Seventeen, she makes some true cofessions. She also speaks about the wildest thing that she has done. Besides all these, one can also get a glimpse of the “real Genelia” in this issue. She was all over the place a few months and weeks ago, courtesy the smash hit Jaane Tu…Ya Jaane Na, in which she was paired opposite the brand newteenage sensation Imran Khan! We are indeed talking about the one and onlyGenelia D’Souza, whose smiling away to glory on the cover of the fashion mag Seventeen. The cover itself is effervescent enough for the reader to judge what one can find inside the mag. You can find the quotes (read ‘confessions’) like “They called me Mowgli in college for the longest time ever!!!”, “The one thing that I have learnt from a race or a match is that you have only one take to make it” etc… She also speaks about the wildest thing that she has done and the meaning of her name (which many still do not know, we bet). Besides all these, you can also get a glimpse of the ‘real-life Genelia’ in this issue. Get your hands on this issue if you are a Genelia fan. Even if you are not, then, this issue will surely make you one!
Freida Pinto may be the next bond girl
We just read Danny Boyle denying his involvement with a slew of upcoming film projects. And From across the pond, Britain’s The Sun is reporting that Pinto has been invited to a screen test for the next James Bond movie, tentatively titled “Bond 23.” Their source reports, “Freida came to the attention of the Bond team when they were casting ‘Quantum of Solace.’ She was too young at the time to have a part as a love interest for a secret agent.” But apparently, in just two years, the star has grown up enough and just happened to star in one of the biggest films of the year. Oh, it won Best Picture, too. It comes as no surprise that Bond producers want Pinto in their next spy thriller. Ok, I’m biting. However, the article continues to run with an already debunked rumor of Danny Boyle helming the next spy thriller. The source continues, “Danny Boyle is favourite to take the helm of the next movie, which would increase Freida’s chances of a starring role.” You don’t have to tell this Bond fan how cool it would be to have Freida Pinto firing at jumpsuit-wearing cronies in a volcanic, underground lair. And if she’s been of interest to producers for the past two years, then I would say she’s the high contender. But at this point, when it’s as likely as Boyle being the next director, we might want to chalk this up as crazy rumor. What do you think Bond-philes? Would you like to see Freida Pinto sipping martinis with our favorite spy? Or can we put this dossier away? Share your thoughts below!
now, file his “Slumdog Millionaire” star, Freida Pinto, into the rumor mill as the next Bond girl.
Vidya Balan goes Hot: Does intimate scenes
Vidya Balan has A unit source reveals, “She indeed has quiet a few hot love making sequences in the film but the scenes have been aesthetically shot. Vishal Bharadwaj is simply too glad with the way the actress has performed her act in the film without any inhibitions. But this is not the first time that the actress has done such scenes. She had been sensuous in her debut venture Parineeta earlier as well and in Heyy Babyy too with Akshay Kumar.” In Ishkiyan Vidya is playing a very complex character and will be seen speaking the U.P dialect which is very akin to Vishal Bharadwaj’s movies. She also has a very different look in the film. She will certainly take away accolades after the release reveal unit sources. Vidya’s career too seems to be on an all new high now. It has been heard that the actress has also been signed for Nikhil Advani’s Chandbhai opposite Akshay Kumar. The film is a tough love story set in a juvenile detention facility. She will also be seen working with two legendary actors - Naseeruddin Shah in Ishqiyan and Amitabh Bachchan in Balki’s Pa and Sanjay Leela’s Chenab Gandhi.
given some really intimate scenes in Vishal Bhardwaj’s Ishkiyan. All her hot scenes in the film are with Arshad Warsi. Vidya play’s a slightly grey character in the film who fools the uncle-nephew jodi of Naseeruddin Shah and Arshad Warsi.
Aishwarya Rai upset on Priyanka Chopra
Aishwarya Rai Bachchan is a bit upset with fellow actor Priyanka Chopra, when she in her winning speech regarded Ash as beautiful but did not mention anything about her acting talent. Priyanka, who won the Filmfare Best Actress award for Fashion said that she was very happy to be nominated (Fashion, Dostana) among the likes of beautiful Aishwarya Rai (Jodhaa Akbar) and the talented Kajol (U, Me Aur Hum). Reports suggest that Priyanka’s statement did not go well with Ash, who is a winner of many national and international awards. Priyanka is currenlty riding high on the success of Fashion and Dostana. The actress will soon be seen in Vishal Bharadwaj’s Kaminay opposite Shahid Kapur.
Forget Angelina Jolie, Preity Zinta adopts 34 girls
Preity Zinta has gone for the conditional adoption of 34 orphans from the Mother Miracle Reluctant to speak Preity Zinta says, “It’s true. I’ve adopted these 34 girls. I’ll be looking after their entire upbringing from education to food, clothes, etc. You’ve no idea how wonderful it feels to hear the excited chatter of all those girls together as they welcome you into their lives. Believe you me, it’s the best birthday song I’ve ever heard.” Preity doesn’t intend to be a sleeper parent for the girls at the Mother Miracle. “No way! Those are my children now, my responsibility. I’ll be constantly connected with them and I’ll visit them in Rishikesh twice a year.” Far from finishing off her responsibility after financing these girl children, Preity plans to progressively enhance her social responsibilities. “For a while now I’ve been thnking of what to do to help the less privileged classes specially the girl child. The horrors of foeticide and rampant child abuse are not just screaming news headlines for me. They’re voices that scream from inside me. And I had to listen to them. These 34 girls are just a beginning. I plan to adopt a couple more every year during my birthday. I can’t think of a better gift to myself.”
school in Rishikesh.
Meet the glamarous Deepika Padukone
Bollywood Actress “I would like to play Audrey Hepburn, my style icon, in movies like ‘Breakfast at Tiffany’s’ or ‘Roman Holiday’, ” Deepika told on the sidelines of the Wills India Fashion Week (WIFW) Saturday, where she walked the ramp for Ranna Gill and Rina Dhaka’s collections sponsored by luxury brand Fiama Di Wills. After debuting opposite Shah Rukh Khan in 2007 hit “Om Shanti Om” and doing “Chandni Chowk To China” with Akshay Kumar, Deepika’s next is “Love Aaj Kal” alongside Bollywood Actor Saif Ali Khan. And she is all praise for filmmaker Imtiaz Ali of “Jab We Met” fame. “I enjoyed working with Imtiaz Ali in his movie ‘Love Aaj Kal’, where he cast me opposite Saif. It was a dream working for a sensitive director like him. Imtiaz just seemed to know the kind of person we were and brought out the best in us. He guided all through the movie, ” said the leggy beauty who was dressed in a simple black halter-neck. Deepika is now looking forward to begin work for newcomer Vijay Lalwani’s “Kartik Calling Kartik”, which also stars actor-director Farhan Akhtar and Boman Irani. “It is an offbeat movie, a psychological thriller. But I am not going to talk much about it, ” she said. The actress admits she has a soft corner for action movies, though all genres appeal to her. “An action movie is something I have always wanted to do, but I cannot specify any real genre that appeals to me. Cinema today is changing. And as an actor, I will never throw my hands up… will never be happy saying this is the best character I have portrayed. I am critical of myself, rarely happy, ” said Deepika. As Indian cinema changes to adapt new formats and contents, Deepika Padukone feels the role of women in cinema is also changing. “It is becoming more challenging. Even in the past, there were movies where women did not have to run around trees. An actress could opt to show off her talent.” People, she explained, have this strange notion that if a woman wears make-up, she cannot be taken seriously. “Take off your make-up and only then you can do serious cinema. But glamorous roles and a glamorous screen presence do not make one a non-actor. The content of cinema is also changing, evolving… it is no longer the regular boy meets girl, ” the actress said. Deepika Padukone usually decides on the projects she takes up after reading the scripts. “The movies are my call though I run my parents through what I am doing. But they are new to movies, hence unfamiliar. But after ‘Om Shanti Om’ and ‘Bachna Aai Haseeno’, I have matured, ” she said. The actress confesses that she is not much of a bookworm. “But I am reading the ‘Kite Runner’ now and it might turn out to be the best book I have ever read. I have grown up listening to all kinds of music - from Kishore da to Mohammed Rafi, ” she said. Deepika Padukone, who is former badminton player Prakash Padukone’s daughter, says she was good in other sports besides badminton as well. “Apart from badminton, I played state-level basketball, baseball and was an athlete, ” she said.
Deepika Padukone has had a dream-run in Bollywood with just three releases, but the model-turned-actress says her dream is to play the elegant Audrey Hepburn, her style icon.
I didn’t kick Shah Rukh off his pedestal says Aamir
Bollywood Actor Aamir Khan, joined CNN’s special edition of ‘TALK ASIA’ filmed in front of a live studio audience in Mumbai, where he shared with host Anjali Rao his opinion on leading Bollywood actors, his sentiments on the Mumbai terror attacks and more.
CNN ’TALK ASIA’ with Aamir Khan will be aired first on Wednesday, March 25 at 1800hrs IST and repeat telecast on Saturday, March 28 at 1000hrs and 2000hrs IST.
Anjali Rao: It’s a real pleasure to have you with us today so thanks so much for making yourself available again. Your most recent film Ghajini is now the biggest Bollywood success ever. Did you have any idea that it would be quite as huge as it is?
Aamir Khan: You can hope that, you can hope that for all of your films. But you can never really tell until you see the film with the audience, how it’s going to play with the audience in the theatre.
So I think in Ghajini what we set out to make we were in fact able to achieve that. I realised that I’m making a hardcore mainstream film after really long, which is fine. I guess I’m happy to do that.
Anjali Rao: After this movie made it so big, people said that you were the real ‘King Khan’.
And that you’d kicked off Shah Rukh off his perch because he appeals to the masses but you’ve managed to do this thing that loads of actors would love to do.
In that you’ve had both critical and commercial success in spades. How do you do that? How do you stop from being pigeon-holed in one box or another?
Aamir Khan: Well, you know, I just do work which excites me and which I enjoy doing. I just do work which makes me happy. And I have absolutely no intentions of kicking Shah Rukh off his pedestal. Though I have to say I don’t think he ever was on it.
But in my opinion, the actor who I really look up to is Mr Amitabh Bachchan. He is someone who’s work I really like and he’s a fantastic actor and the kind of stardom that Mr Bachchan has seen none of us can ever hope to see. So for me, he’s the guy.
Anjali Rao: You’re not only a major actor but you also had your directorial debut in Taare Zameen Par. What was it like for you switching to the other side of the camera, at the same time obviously and starring in it?
Aamir Khan: It was tough, mainly because I wasn’t meant to direct the film to begin with. So I kind of jumped in a week into the shoot. I just went with my gut. Actually, I didn’t even have time to think, quite honestly.
And now when I look back, I realise that I had reached a point in my career where I had been wanting to direct a film for really long, and the pressure kept keeping me away from it. The fact that it happened this way didn’t give me a chance to think and decide, you know.
I just jumped into it because I had to, and I ended up making the film, you know, to the best of my abilities. So I didn’t really, you know maybe if I hadn’t done that I wouldn’t be directing for the next 10 years more, I don’t know.
So I guess I’m glad it happened finally because I’m happy with the way the film turned out and I’m happy with the way the kind of impact it had on people.
Anjali Rao: Slumdog Millionaire was a huge eye opener, I think, but you know for all the accolades that it got around the world, there were plenty here in India who slammed it. What did you think of it?
Aamir Khan: It didn’t touch me personally. Emotionally, it didn’t do anything for me. And I suspect it is because I am not used to watching Indians speak English. So you know, all these slum kids talking in English, and the cop…I find it very strange. It didn’t work for me because of that problem.
Anjali Rao: You were extremely vocal in your blog about what was happening (when Mumbai was struck by terror). Just take us through what was going on with you personally during that time.
Aamir Khan: Well, it was really devastating. I mean it was like a nightmare, I couldn’t believe it was happening. And it was also very shocking to see, you know, the audacity with which these attacks were carried out.
All the lives that were lost and so many thoughts going through my head at that time.
And it was really sad that I mean we live in a day and age today where there all over the world there are people, certain number of people at least, who feel that this is how they want to make a point, or want to be heard, or want to hit back, by killing innocent people.
Anjali Rao: Certainly you were speaking to the government in part in your blogs as well, by you know, saying not to negotiate with terrorists. But you also seemed quite critical of what the leadership was doing at the time. Is that how you felt?
Aamir Khan: No, I wasn’t actually. I wasn’t critical of the leadership at that time. Because I think at that time they were doing the best that they could.
But I am critical about how a number of the leaders have been using religion and cast in our politics for decades now. And that only, you know, polarizes people. It spreads a lot of poison and negativity in society.
Anjali Rao: What kind of a childhood did you have?
Aamir Khan: Well, fairly standard actually. I think my parents looked after us very well. We had a fairly sheltered life. I mean my parents were really against me getting into films. I come from a film family.
My father and uncle were both filmmakers. And I faced hell at home. It was like there’s no way you’re getting into films. But I don’t usually listen to people.
I just do what I feel like. And then when they realised… actually it was more because they were concerned for me, you know. Every parent is concerned for their children.
And they had been through this line and this profession is so uncertain. You know one day you’re up there, the next day you’re nobody and… it’s a really harsh profession.
Anjali Rao: When you look back at the 1980s and 1990s, do you go you know what I’m really proud of that or do you go oh god I just want to die?
Aamir Khan: No, I just want to die. I get totally embarrassed. Usually you know when I finish a film within six months I feel eh, this is not good enough. This is where we’ve messed up, and we could’ve done this, and I’ve grown so much as an actor and I can do this much better now. I don’t like my work usually after some time. I don’t like it anymore.
Movie Review - Firaaq - Nandita Das
We have seen Nandita Das in hard-hitting films like Bawander, Earth or more recently in Ramchand Pakistani. And got bowled over by her histrionic skills. However this time it came as a pleasant surprise to see Nandita donning the director’s mantle and giving an equally powerful performance from behind the camera. In her directorial debut Firaaq, which means both separation and quest in Urdu, Nandita has tried to delve deep into the minds of the people – as if trying to shake them up, remind them of the tenets of humanity - emphasizing on the need to rise above communalism. About the film: The plot unfolds in Gujarat in the year 2002, where several innocent Muslims died in the Godhra massacre. Unlike Rahul Dholakia’s Parzania that primarily focused on a Parsi family which lost its 10-year-old kid during the riots, Firaaq has five different stories which are interconnected and independent at the same time. The characters belong to different class, gender, age and community that represent a cross-section of society. Aarti (Deepti Naval) is a housewife who’s shattered by the sight of a Muslim woman begging sanctuary in her house. But she chooses to be indifferent out of fear. Khan Saheb (Naseeruddin Shah) is a Muslim musician who lives in the Hindu suburb of Gujarat. He just fails to see the increasing communal rift around him. Muneera (Shahana Goswami), a Muslim auto driver’s wife has hidden with friends during the riots returns to find her home gutted and trust in her friends destroyed. Sameer Sheikh (Sanjay Suri), married to a Hindu played by Tisca Chopra, is torn between fleeing to Delhi or stick around to be recognised as a Muslim entrepreneur. While slum dwellers live in constant fear of the next outbreak of violence, others plot revenge. With complete dexterity Nandita explores the relationships that bind these two communities to their homeland in the face of atrocities. The opening shot where the two Muslim men dig a mass grave for the riot victims reminds us of Andrzej Wajda’s Katyn, a film that spoke about the mass murder of Polish Prisoners of War during World War II or the scene when Muneera’s friend in order to protect her, puts a bindi on her forehead to disguise her as a Hindu woman, are indeed touching. Though we missed Nandita on screen, Naseeruddin Shah, Deepti Naval, Raghubir Yadav quite make up for the loss, especially Shah who has already given similar performances in films like A Wednesday and Shoot On Sight. Deepti Naval sans make up looked every bit a remorseful, docile Gujarati housewife who tries to overcome her guilt by burning her hands with hot oil every time she recalls the fateful incident. It would be unfair if we don’t talk about Sanjay Suri who has done a fairly good job. The pain and anguish that Sameer goes through, his frustrations, his decision to relocate from Gujarat, his inability to cope with the current scenario look convincing enough. Shahana’s track gets boring after a point with her constant attempts to know who burnt her house. Her story seems a bit incomplete too. As for an actor of Paresh Rawal’s caliber, we expected a lot more screen presence. His role as Deepti Naval’s dominating and abusive husband is a refreshing change from the comic stereotype, but alas… his character is not fleshed out properly. Nandita tries to wrap up the film with ray of hope as Naseeruddin resumes his music classes with two Hindu disciples. Also, Sanjay Suri aka Sameer decides to let go of his fear and comes to terms to live with his true identity. Despite a few flaws, one of the plus points of the film is its razor-sharp editing by Sreekar Prasad. As a first-time director, Nandita’s endeavour is worth an appreciation. What more can be said about a film that has already won accolades at places like 49th Thessaloniki Film Festival in Greece and 7th Kara Film Festival?! With a subject like this, Firaaq may not be a conventional crowd puller. But with a string of films like Khuda Ke Liye, Aamir, Mumbai Meri Jaan and A Wednesday, striking gold at the box office, it may just click with the cine lovers. VERDICT: Watch it for Nandita’s direction, Naseeruddin Shah and Deepti Naval’s powerhouse performances. RATING: 2.5/ 5
Nothing is impossible for Rajinikanth
Once again Prabhu Deva is choreographing exclusive dancing movements for Superstar Rajinikanth inEndhiran. For Endhiran, Oscar fame A R Rahman had already composed 5 songs and all the songs will be recorded at a Mumbai studio soon. Three out of 5 songs have heavy dance movements and Prabhu Deva, Raju Sundaram and Raghava Lawrence are the choreographers who have been assigned 3 songs.According to Rajini, only these Three choreographers can understood his body movements and capabilities better than anybody else.Upon the request of Rajinikanth, Prabhu Deva has been assigned the introductory song for Rajini in Endhiran. The latest we hear is that Prabhu is in Hyderabad Ramoji Rao studio doing a very difficult song for Shankar’s Endhiran.The grapevine goes that Rajini is playing a dual role in the film as a scientist and a Robot. The buzz is that there is a song where two Rajinikanths will come together for a brief period.According to the sources, Prabhu Deva had designed two different dance movements for Rajinikanth in the same song. But the ace dance master and the superstar has pulled off the impossible, and it has turned out to be a stunning one!
Vijay’s new getup in Vettaikkaran
Change in getup. When a Kollywood fan hears these words, two film stars come to his mind immediately – Kamal Haasan, for the multitude of getups he has donned, and Vijay, for his reluctance to change getups! Throughout his career, Vijay has tried only about three or four changes in hairstyle. Clearly, he does not like changing getups often and the star had confirmed this in his interviews so many times. But it appears that Vijay has finally given in to the repeated request of his fans – a change in getup. In Vettaikkaran, the star is rumoured to appear in a new hairstyle. And there is also a rumour that he will appear in four different getups in songs! Vettaikkaran has been in the news for quite a lot of reasons of late, apart from its heroine Anushka. The film boasts of a never-before-seen introductory song for Vijay; his son Sanjay’s cameo; spectacular dance and stunts sequences, and now, the rumour about Vijay’s hairstyle. Well, it looks like Vettaikkaran could well revive Vijay’s magic.
I don’t think SRK was ever King Khan: Aamir
Post the stupendous success of his last film ‘Ghajini’, Aamir is being termed as the new 'King Khan' of Bollywood. Commenting on this, the actor said, "I had absolutely no intention of kicking Shah Rukh off his pedestal. Though I have to say, I don't think, he ever was on it. In my opinion, the actor who I really look up to is Mr. Amitabh Bachchan. He is someone who's work I really liked, a fantastic actor & the kind of stardom Mr. Bachchan has seen, none of us can ever hope to see." He also shared what he felt about ‘Ghajini’ breaking all kinds of records and emerging as the highest grossing Bollywood film of all time. "You can never really tell how a film is going to perform until you see the film with the audience. For me what is important is that when I see the film once it is ready, has it turned out the way we wanted it to? If we have done that, then that makes me feel happy." Finally the actor got emotional while sharing his thoughts on the ghastly 26/11 Mumbai terror attacks. "It was really devastating. It was like a nightmare, I could not believe it. It was shocking to see the audacity with which these attacks were carried out."
Mumbai: The Reigning Khan of Bollywood- Aamir Khan recently appeared on the show called 'Talk Asia' for CNN with host Anjali Rao in front of a live audience. The actor who of late has been very media-savvy spoke at length on topics as diverse as his on-going war of words with Shah Rukh Khan to the Terrorattacks that devastated Mumbai on 26/11 last year.The actor also expressed his views on the much talked about Oscar winning film ‘Slumdog Millionaire’. "I thought the movie was well intended. It was a very sincere attempt, but it didn't touch me personally, and I suspect its because, I'm not used to watching Indians speak English, all these slum kids talking in English... it's strange."
Chaplin’s statue in trouble
Although the producers of Houseful received government permission to build a Charlie Chaplin statue at Maravanthe beach in Udupi, some protesters are forcing them to drop the idea. Director Hemant Hegde, who was in Udupi to oversee the project, has returned to Bangalore following protests from a group of people who did not identify themselves but are believed to be belonging to a pro-Hindu outfit.
The protesters oppose the statue since Chaplin was a Christian and there is a temple nearby where the statue is set to be built. Hegde, who is unhappy about dropping the idea, now plans to shift the location to either Bhatkal beach or Karwar beach. Again, he has to seek the permission from the authorities to build the statue, which will be a permanent structure.
He says that Houseful has to release on time to recover the costs and it will be a big blow if the statue is not built since he has given much publicity to it. He had even hoped that the 62 feet tall statue will find a place in the Guinness Book of World Records.
Neighbour’s Cows
An old farmer died and left 17 cows to his three sons. In his will, the farmer stated that his oldest son should get 1/2, his middle son should get 1/3, and his youngest son should get 1/9 of all the cows. The sons, who did not want to end up with half cows, sat for days trying to figure out how many cows each of them should get. One day, their neighbour came by to see how they were doing after their father’s death. The three sons told him their problem. After thinking for a while, the neighbour said: “I’ll be right back!” He went away, and when he came back, the three sons could divide the cows according to their father’s will, and in such a way that each of them got a whole number of cows.
What was the neighbour’s solution?
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The neighbour borrowed an extra cow, to make the total number of cows 18. Then the oldest son got 1/2 of 18 is 9 cows, the middle son got 1/3 of 18 is 6 cows, and the youngest son got 1/9 of 18 is 2 cows. Since 9+6+2 = 17, the cows could be divided among the three brothers in such a way that the borrowed cow was left over, and could be returned to its owner.
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